Eddie Davis - Power Skulls (DVD)

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(£18.25 ex.VAT)

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Eddie Davis - Power Skulls (DVD)

Application: T-shirts, Custom Painting
Classification: E - Educational
Running time: 120 minutes
Format: DVD Region 0

Sleeve notes:

In this two-hour presentation, rising star Eddie Davis demonstrates how to render unrivalled skulls on any surface with amazing results. This course includes detailed anatomical descriptions, dynamic lighting techniques, micro airbrushing, how to electrify your image and much, much more.

You’ll learn:

  • Anest-Iwata LPH 80 for broad coverage on T-shirts
  • Iwata Eclipse BCS airbrush
  • Air pressures
  • How to use Wicked Transparent Base
  • Use of the Hix HT 400 heat press
  • Artograph’s Super Prism opaque projector
  • Use of black Sharpie pen for sketching onto fabric
  • How to transfer your artwork or reference onto a surface
  • Anatomy of a skull
  • Use of Wicked Colours
  • how to reduce your colours
  • Subtle shading
  • How to achieve light values of black
  • How to achieve a 3-D effect
  • Use of freehand shields
  • Building shapes
  • Specular highlights
  • how to build value
  • How to deal with tip dry
  • Working in your comfort zone
  • Micro airbrushing techniques
  • Tinting
  • Dynamic lighting
  • Colour shifts
  • Use of wax paper for advanced masking techniques
  • How to cut a mask on a T-shirt
  • Troubleshooting
  • Lightening fast coverage of any background
  • How to remove spray adhesive residue
  • How to render drop shadows
  • How to dry paint as you airbrush
  • How to add ‘glow’ to your image
  • And tonnes more!

About the artist:
Currently Eddie Davis paints at Airbrush Headquarters in Destin, Florida, and lives in nearby Shalimar. Growing up in the 1970’s and 1980’s, Davis’s main influence came from Heavy Metal, Creepy, Eerie and Thrasher skateboarding magazines and The Savage Sword of Conan art.

“My sense of proportion and dynamic lighting came from trying to emulate great artists such as Richard Corben, Bernie Wrightson, Tim Vigil and Pushead. I always admired how they could use dark subject matter to convey emotion and a sense of presence and tension. For me the most profound and fun part of the whole artistic process is when you get to that place where the painting tells you what it wants and you’re just adding the colour and keeping it moving.”

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